We used the Buzz Tone on every guitar track-- about 20 tracks.
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Featuring Joanne Shaw Taylor on several solos.
Our Prototype #1 Buzz Tone, exactly the same as the Blue Edition being sold now, was used on every guitar track.
Clean guitars via Strats and Telecasters with the gain turned down into a Hiwatt or Fender Twin. Buzz Tone adds fantastic warmth and sparkle.
Distorted guitars via SG Jr. through Hiwatt. Crank the Buzz Tone Gain and get wall of fuzzstortion cooler than a Big Muff.
Joanne's leads were Strat through 1963 Vox AC30, Buzz Tone dimed on 9 volt setting. Full bodied, raw power.
Other leads and backwards guitars were recorded 'direct in'. Just a telecaster into the Buzz Tone into the recording. Classssssic.
Other little doo dads and wut-nots also for layering and fun sake, all recorded with the Buzz Tone of course. The only other pedal used in any of this recording was a Boss DM-2 delay on a few of the direct guitars.